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Permanent
collection

In the heart of Lecce, the Fiermonte Museum is a unique space composed of buildings from the late 19th and early 20th century, distributed across three levels and connected by an imposing Corten staircase. Entering 4 Vico dei Rayno is like crossing a threshold in time, where the past and present merge in a harmonious dance of history and art. The secret garden is more than a passageway; stopping for a moment in this meditative space is enchanting, allowing you to experience natural beauty in dialogue with the surrounding architecture and the works of Letourneur and Zwobada, works that sit in the shade of a tall araucaria and a hundred-year-old medlar tree.

Museum
halls

Upon entering the museum, visitors pass through nine rooms before reaching the underground space. The layout and narrative flow follow a historical, chronological order, tracing the life and art of the story’s three protagonists: Antonia Fiermonte, René Letourneur and Jacques Zwobada.

Each room tells a story; each work is a window to a time gone by, a time that is nevertheless alive and pulsating. The story begins with the friendship between René and Jacques before Antonia bursts into their lives; before she falls in love with Letourneur and his soft, sensual works and then Zwobada's passionate, spine-tingling verticals. The narrative flows between panels, sculptures, paintings, drawings, holographs and stereoscopic panoramas, until everything is disrupted by Antonia's death, suddenly, in Rome in 1956. Her death represents a borderline, a demarcation, a change, an evolution. The room dedicated to the Mausoleum of Mentana, commissioned by Zwobada, is a highly emotional experience, as is the immersive experience of the 3D docufilm at the end of the tour.

Hall N1
”My dear
brother

My Dear Brother’, is dedicated to the story of the fraternal friendship between Letourneur and Zwobada, who met in 1921 at the Ecole des Beaux-Arts in Paris. They then collaborated on the monumental project on Simon Bolivar for Quito (Ecuador) and shared a studio and house in Fontenay-aux-Roses. On display are sculptural portraits that the two artists made of one other.

Hall N2
”Lightning
Strike

‘Lightning Strike’, with works by Letourneur, such as ‘Al Sole’ from 1958 or ‘The Bridge’ from 1973. Fate changed forever when René met Antonia at the Villa Medici in Rome. This room contains works that reflect the ideal of classical beauty that René saw in Antonia, his wife and muse. From their love, Anne Fiermonte was born in 1934.

Hall N3
‘Obsession’

‘Obsession’, with works by Zwobada, such as the bronze Vertical, 1956. Antonia's presence also fascinated Jacques and became a divine epiphany for him, profoundly influencing his artistic style, a transformation that is documented in the works in this room.

Hall N4
”Works by
Antonia Fiermonte and Zwobada

Works by Antonia Fiermonte (Nude, charcoal on paper, ca.1950) and Zwobada (The Olives, ink on paper, 1951). In 1948, Antonia divorced René to marry Jacques, the man who allowed her to fully express her art. The works of the two lovers, portraits and drawings in charcoal and pen, are exhibited in Room 4.

Hall N5
”1001 Letters
an epistolary love

‘1001 Letters - an epistolary love’, holographic projection. For Jacques, Antonia was the missing link in his life and so from 1942, the year they fell madly in love, he courted her by writing her numerous love letters, some of which can be heard in the narration in room 5.

Hall N6
“A New Life
Beyond the Garden

‘A New Life Beyond the Garden’, with watercolours and tempera paintings by Antonia, including The Nativity, 1955. Antonia's painting production starts with figurative compositions and passes through moments of abstract expressionism, favouring pastel, tempera and watercolour.

Hall N7
“A love that neither absence
nor time can erase

‘A love that neither absence nor time can erase’, a room dedicated to the Mausoleum of Mentana, commissioned by Zwobada to celebrate a love that conquers death, inspired by the myth of Orpheus and Eurydice. Tragically, in 1956, during a holiday in Rome, Antonia died suddenly, leaving Jacques devastated. In the room ‘From here to eternity’ there is a 2D video projection of the mausoleum that also houses her remains.

Hall N8
“Reconciliation
Jacques and René remain friends

‘Reconciliation - Jacques and René remain friends.’ The two sculptors found in their art the strength to fight conflicting feelings and emerge victorious from a lightning-fast rivalry. On show here is artistic production from the second half of the 1900s.

Hall N9
“Metamorphosis
Jacques's Tormented Expressionism

‘Metamorphosis - Jacques's Tormented Expressionism’, with works by Zwobada, such as Les Lutteurs, a bronze from 1954, which can be interpreted as the fight-embrace of the two artists, who, as brothers by choice, loved the same woman and, after fighting, sacrificing part of their relationship, lovingly reconciled. It was René who accompanied Jacques towards the end of his life in 1967.

Hall N10
‘The epilogue’

‘The epilogue’, a 3D docufilm projected in the secret room, summarising the extraordinary lives of the three protagonists in just a few minutes. Garden: works by Letourneur (Orphée, 1932) and Zwobada (Metamorphose, 1955 - Le lutteur, 1936, Perséphone, 1967).

Outdoors
Garden

Works by Letourneur (Orphée, 1932) and Zwobada (Metamorphose, 1955 - Le lutteur, 1936, Perséphone, 1967).

Antonia Fiermonte
1914-1956
PAINTER AND VIOLINIST
René Letourneur
1898-1990
LEADING EXPONENT OF THE ART DECO MOVEMENT
Jacques Zwobada
1900-1967
PAINTER, SCULPTOR AND MUSICIAN